THE STUDIO

THE STUDIO

The studio is planned before the first call time. Load-in, power, and staging are resolved in advance, so the day starts on the floor instead of in logistics. Crews who shoot here regularly get the same room, the same rigging, and the same routine each time — which is most of what makes a space worth returning to. Everything else is deliberately unremarkable.

Available by the day for campaign, ecommerce, editorial, and content production. Lighting and grip packages, producer support, and full photographer packages can be added to any booking. Brands shooting without a production partner can book the room and the crew together, drawing on the team that has produced here for years. Rates and availability on request.

The studio is planned before the first call time. Load-in, power, and staging are resolved in advance, so the day starts on the floor instead of in logistics. Crews who shoot here regularly get the same room, the same rigging, and the same routine each time — which is most of what makes a space worth returning to. Everything else is deliberately unremarkable.

Available by the day for campaign, ecommerce, editorial, and content production. Lighting and grip packages, producer support, and full photographer packages can be added to any booking. Brands shooting without a production partner can book the room and the crew together, drawing on the team that has produced here for years. Rates and availability on request.

The daylight end of the studio, with monitors on stands and a work table under the windows
A makeup station with lit mirrors and two director's chairs
Grip and lighting equipment on shelves behind a black counter, between two round columns
The client lounge: a black leather sofa and coffee table between two olive trees

The Studio

Planned before the first call time.

The studio floor: polished concrete, a round column, equipment shelves and the Manhattan skyline through the windows
  1. 01

    Ready on arrival

    Load-in, power and staging are resolved in advance, so the day starts on the floor instead of in logistics.

  2. 02

    The same room each time

    Crews who shoot here regularly get the same room, the same rigging and the same routine. That is most of what makes a space worth returning to. Everything else is deliberately unremarkable.

  3. 03

    Booked by the day

    For campaign, e-commerce, editorial and content production.

A makeup station with lit mirrors and two director's chairsThe daylight end of the studio, with monitors on stands and a work table under the windows

Book the room, or the room and the crew.

  • Lighting and grip packages
  • Producer support
  • Full photographer packages

Any of these can be added to a booking. Brands shooting without a production partner can book the room and the crew together, drawing on the team behind Slate Studios.

Grip and lighting equipment on shelves behind a black counter, between two round columnsThe client lounge: a black leather sofa and coffee table between two olive trees

The room in different light

One position, one frame. Drag to move between them.

Beauty station, window lightBeauty station, mirror lights on

Rate

$1,800/ day

The room, booked by the day. Single days and multi-day holds.

Add to the booking

  • Lighting packageQuoted per booking
  • Grip packageQuoted per booking
  • ProducerQuoted per booking
  • PhotographerQuoted per booking

Gear

Available on the floor

  • Grip + stands
  • Seamless paper
  • Movable beauty stations
  • Steamer + garment racks
  • Full-length mirrors
  • Changing area

Added per booking

  • Lighting packageQuoted
  • Grip packageQuoted
  • ProducerQuoted
  • PhotographerQuoted

Getting here

Load in at the dock, up the freight, onto the floor.

Where
Long Island City, New York
Subway
Within five minutes on foot
Loading
Loading dock at the building
Freight
Freight elevator with direct access to the floor
Security
24/7 building security
On the day
212 390 1224
Book the studio$1,800 a day for the room; dates confirmed the same day

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